With over 100 concerts a year and creative programming, it’s an orchestra constantly evolving. The Royal Stockholm Philharmonic Orchestra has probably never been better.
The Royal Stockholm Philharmonic Orchestra is today among the most active streaming players worldwide. With its digital platform Konserthuset Play, the orchestra offers a comprehensive library of filmed performances which are available for free streaming anywhere in the world.
In the following sections, you can read more about the orchestra's history since 1902 – its historic chief conductors, guests and tours – and get acquainted with the members of the orchestra of today.
Sibelius' Sixteen Finnish Swans and an overlooked Swedish piano concerto from the early 1900s, along with a new work by Jacob Mühlrad.
Thursday 28 November 2024 18.00 ●Watch for free on Konserthuset Play ●Watch for free on Konserthuset PlayMagnus Svensson. Photo: Nadja Sjöström
Aivis Greters
Royal Stockholm Philharmonic Orchestra. Photo: Nadja Sjöström
Sibelius' Sixteen Finnish Swans and an overlooked Swedish piano concerto from the early 1900s, along with a new work by Jacob Mühlrad.
The Main Hall currently has capacity for 1,770 people, spread across the stalls, first and second balconies and choir balcony. Each floor can be accessed by lift or the stairs. Due to the location of pillars, a number of seats have a fully or partially restricted view. These are indicated in the booking system. The hall has six wheelchair places.
Watch the concert at Konserthuset Play.
Sibelius' Fifth Symphony is his most performed and beloved. He already felt during its composition that he was creating something great. ”Have received a wonderful theme”, he noted in a diary entry. He had seen sixteen swans, which gave him the idea for the magnificent theme in the final movement. ”One of the great experiences of my life! My God, what beauty.”
The orchestra is led by the Latvian conductor Aivis Greters, who has conducted the Royal Stockholm Philharmonic Orchestra a couple of times in recent years. As a prelude to Sibelius after the interval, we hear the latest orchestral work by the Swedish composer Jacob Mühlrad. The world premiere of Resil was recently performed by the Swedish Chamber Orchestra, and here the work is presented for the first time in a version for a large symphony orchestra.
The composer, pianist, and conductor Adolf Wiklund's two piano concertos are among the best Swedish works in their genre. The first concerto from 1906 is grandly romantic in the footsteps of Rachmaninov, spiced with a touch of Grieg and a pinch of his friend Stenhammar. Wiklund was also the Royal Stockholm Philharmonic Orchestra's second conductor, from 1925 to 1938.
As the soloist in Wiklund's first piano concerto, we have the versatile pianist Magnus Svensson. He performs concerts both in Sweden and internationally. He has particularly immersed himself in the art lieder and is the artistic director for Konserthuset’s series of lied concerts. Since 2012, he has also been working at the Royal Swedish Academy of Music with re-publishing older Swedish music.
The Main Hall currently has capacity for 1,770 people, spread across the stalls, first and second balconies and choir balcony. Each floor can be accessed by lift or the stairs. Due to the location of pillars, a number of seats have a fully or partially restricted view. These are indicated in the booking system. The hall has six wheelchair places.
Watch the concert at Konserthuset Play.
The Main Hall currently has capacity for 1,770 people, spread across the stalls, first and second balconies and choir balcony. Each floor can be accessed by lift or the stairs. Due to the location of pillars, a number of seats have a fully or partially restricted view. These are indicated in the booking system. The hall has six wheelchair places.
Sibelius' Sixteen Finnish Swans and an overlooked Swedish piano concerto from the early 1900s, along with a new work by Jacob Mühlrad.
Saturday 30 November 2024 15.00Magnus Svensson. Photo: Nadja Sjöström
Aivis Greters
Royal Stockholm Philharmonic Orchestra. Photo: Nadja Sjöström
Sibelius' Sixteen Finnish Swans and an overlooked Swedish piano concerto from the early 1900s, along with a new work by Jacob Mühlrad.
The Main Hall currently has capacity for 1,770 people, spread across the stalls, first and second balconies and choir balcony. Each floor can be accessed by lift or the stairs. Due to the location of pillars, a number of seats have a fully or partially restricted view. These are indicated in the booking system. The hall has six wheelchair places.
Sibelius' Fifth Symphony is his most performed and beloved. He already felt during its composition that he was creating something great. ”Have received a wonderful theme”, he noted in a diary entry. He had seen sixteen swans, which gave him the idea for the magnificent theme in the final movement. ”One of the great experiences of my life! My God, what beauty.”
The orchestra is led by the Latvian conductor Aivis Greters, who has conducted the Royal Stockholm Philharmonic Orchestra a couple of times in recent years. As a prelude to Sibelius after the interval, we hear the latest orchestral work by the Swedish composer Jacob Mühlrad. The world premiere of Resil was recently performed by the Swedish Chamber Orchestra, and here the work is presented for the first time in a version for a large symphony orchestra.
The composer, pianist, and conductor Adolf Wiklund's two piano concertos are among the best Swedish works in their genre. The first concerto from 1906 is grandly romantic in the footsteps of Rachmaninov, spiced with a touch of Grieg and a pinch of his friend Stenhammar. Wiklund was also the Royal Stockholm Philharmonic Orchestra's second conductor, from 1925 to 1938.
As the soloist in Wiklund's first piano concerto, we have the versatile pianist Magnus Svensson. He performs concerts both in Sweden and internationally. He has particularly immersed himself in the art lieder and is the artistic director for Konserthuset’s series of lied concerts. Since 2012, he has also been working at the Royal Swedish Academy of Music with re-publishing older Swedish music.
The Main Hall currently has capacity for 1,770 people, spread across the stalls, first and second balconies and choir balcony. Each floor can be accessed by lift or the stairs. Due to the location of pillars, a number of seats have a fully or partially restricted view. These are indicated in the booking system. The hall has six wheelchair places.
The Main Hall currently has capacity for 1,770 people, spread across the stalls, first and second balconies and choir balcony. Each floor can be accessed by lift or the stairs. Due to the location of pillars, a number of seats have a fully or partially restricted view. These are indicated in the booking system. The hall has six wheelchair places.
Court Singer Malin Byström performs magnificent Richard Strauss, while conductor Petr Popelka makes his debut with the Royal Stockholm Philharmonic Orchestra in a programme of dance-inspired music.
Sunday 8 December 2024 19.00Malin Byström. Photo: Peter Knutson
Petr Popelka. Photo: Khalil Baalbaki
Royal Stockholm Philharmonic Orchestra. Photo: Nadja Sjöström
Court Singer Malin Byström performs magnificent Richard Strauss, while conductor Petr Popelka makes his debut with the Royal Stockholm Philharmonic Orchestra in a programme of dance-inspired music.
The Main Hall currently has capacity for 1,770 people, spread across the stalls, first and second balconies and choir balcony. Each floor can be accessed by lift or the stairs. Due to the location of pillars, a number of seats have a fully or partially restricted view. These are indicated in the booking system. The hall has six wheelchair places.
Vienna, London, New York, Berlin, Amsterdam, Salzburg, Stockholm. Swedish soprano Malin Byström is the internationally acclaimed artist who graces the world’s most prestigious opera stages. She is the soloist of the year at the Nobel Prize Concert.
Court Singer Malin Byström is one of the most sought-after sopranos of our time, having been named Female Singer of the Year at the International Opera Awards, among other honours. With the rich palette of her lyric-dramatic voice and a radiant stage presence, she has captivated and charmed audiences worldwide. ”I am very much looking forward to this extraordinary concert”, says Malin Byström. ”To be part of Nobel Week, when the eyes of the world are on Sweden, makes me both incredibly proud and deeply humbled. I will sing with all my heart.”
Malin Byström made her debut with the Royal Stockholm Philharmonic Orchestra in 2006, performing music by Richard Strauss. Strauss’s operas have become something of a speciality for Byström, and at the 2024 Nobel Prize Concert, we hear the magnificent final scene from his opera Salome.
The programme also includes the marvellous Symphonic Dances by Rachmaninoff, with the Royal Stockholm Philharmonic Orchestra conducted by the Czech conductor Petr Popelka, newly appointed Chief Conductor of the Vienna Symphony Orchestra and also Chief Conductor of the Prague Radio Symphony Orchestra. Popelka opens the concert with music from his homeland, featuring Vítezslava Kaprálová's Suite Rustica from 1938, a work that resonates with delightful Czech folk songs and dances.
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The Nobel Prize Concert is an annual event of the highest international standard at which the Royal Stockholm Philharmonic Orchestra appears with world-leading musicians. The concert is part of the official programme during Nobel Week and is a tribute to the year’s Nobel Prize recipients.
The concert is presented by Nobel Prize Outreach AB in collaboration with Konserthuset Stockholm.
Dress code: Dark suit
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Special rules apply at this concert. Bags, shoe bags, and similar items should be left in the cloakroom. If you must bring a bag into the hall, only a small handbag or clutch is permitted, with a maximum size of A4. Please note that any bags brought in will be searched.
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Swedish Radio P2 broadcasts the concert live. It is recorded by the Swedish television, SVT, and will be broadcast on 14 December. For viewers abroad, we refer to Nobelprize.org, where the concert will be available on 14 December.
The Main Hall currently has capacity for 1,770 people, spread across the stalls, first and second balconies and choir balcony. Each floor can be accessed by lift or the stairs. Due to the location of pillars, a number of seats have a fully or partially restricted view. These are indicated in the booking system. The hall has six wheelchair places.