Royal Stockholm Philharmonic Orchestra

Composer Mats Larsson Gothe has had significant success in recent years, including with the opera Löftet ("The Promise") at the Royal Swedish Opera. Already in 2016, he was the focus of Konserthuset’s Composer Weekend Festival. Here, we hear the world premiere of a new cello concerto, featuring internationally renowned Torleif Thedéen as the cello soloist. "The cello concerto for Torleif captures everything that a cello can convey: longing, dreams, pain, and melancholy – but also anger and resignation. I have used the full range of expression", Mats Larsson Gothe explains.

The cello concerto is preceded by music by Elfrida Andrée, a Swedish pioneer around the turn of the last century and the first female cathedral organist. She followed in the footsteps of her teacher Ludvig Norman but was also strongly influenced by composers like Beethoven. Additionally, she was a conductor and herself led at least one famous performance of this majestic Concert Overture in D major.

After hearing Sibelius' second symphony, Stenhammar experienced an artistic crisis. He withdrew his first symphony and sought new paths. In the second symphony, he allows the Nordic elements to take more prominence: in several places, Swedish folk music shines through. Stenhammar's ambition to write "sober and honest music without superficiality" had succeeded.

The orchestra is led by Johannes Gustavsson, who has conducted many of the country's foremost orchestras – the Royal Stockholm Philharmonic Orchestra most recently in spring 2023. He is the Chief Conductor of the Jönköping Sinfonietta and has previously been the Chief Conductor of the Oulu Symphony Orchestra in Finland and at Wermland Opera.

Composer Mats Larsson Gothe has had significant success in recent years, including with the opera Löftet ("The Promise") at the Royal Swedish Opera. Already in 2016, he was the focus of Konserthuset’s Composer Weekend Festival. Here, we hear the world premiere of a new cello concerto, featuring internationally renowned Torleif Thedéen as the cello soloist. "The cello concerto for Torleif captures everything that a cello can convey: longing, dreams, pain, and melancholy – but also anger and resignation. I have used the full range of expression", Mats Larsson Gothe explains.

The cello concerto is preceded by music by Elfrida Andrée, a Swedish pioneer around the turn of the last century and the first female cathedral organist. She followed in the footsteps of her teacher Ludvig Norman but was also strongly influenced by composers like Beethoven. Additionally, she was a conductor and herself led at least one famous performance of this majestic Concert Overture in D major.

After hearing Sibelius' second symphony, Stenhammar experienced an artistic crisis. He withdrew his first symphony and sought new paths. In the second symphony, he allows the Nordic elements to take more prominence: in several places, Swedish folk music shines through. Stenhammar's ambition to write "sober and honest music without superficiality" had succeeded.

The orchestra is led by Johannes Gustavsson, who has conducted many of the country's foremost orchestras – the Royal Stockholm Philharmonic Orchestra most recently in spring 2023. He is the Chief Conductor of the Jönköping Sinfonietta and has previously been the Chief Conductor of the Oulu Symphony Orchestra in Finland and at Wermland Opera.

In a completely new manner from before, Beethoven infused his second symphony with surprising effects. The orchestra swiftly switches between the faintest of whispers to thunderous outbursts in sudden turns. Here, wild humor and dramatic mood abound. Portuguese conductor Dinis Sousa leads the Royal Stockholm Philharmonic Orchestra in this symphonic milestone.

The concert appropriately commences with an overture: Dvorák's powerful and darkly evocative Othello – one of three concert overtures Dvorák wrote to musically portray various aspects of human existence.

The young British pianist Jeneba Kanneh-Mason (born 2003) makes her debut with the Royal Stockholm Philharmonic Orchestra. She is at the beginning of a flourishing career and performs here with the romantically grandiose piano concerto by American composer Florence Price (1887–1953) – music never before heard in Konserthuset.

Jeneba Kanneh-Mason is the sister of cellist Sheku Kanneh-Mason – who performed at the wedding of Prince Harry and Meghan Markle – and pianist Isata Kanneh-Mason. Both have previously appeared at Konserthuset. They are three of seven extremely talented siblings often referred to as The Kanneh-Masons.