Monday at Last with overtone singing
A unique sound world opens up with South African Gareth Lubbe.
In Monday at Last, violinist Cecilia Zilliacus and cellist Kati Raitinen invite guest artists to perform both newer and older music. The guests this time are Swedish pianist Peter Friis Johansson and South African violist, composer, and overtone singer Gareth Lubbe.
We get to hear the incredible possibilities and resources of the voice in Lubbe's Miniatures, where he uses a special singing technique to create a whole range of resonant overtones. It's a completely unique sound world that conveys the feeling of something magical and primal.
British-American composer Rebecca Clarke (1886–1979) was a highly skilled violist and a pioneer among female composers. Her Morpheus for viola and piano was first performed in 1918 at Carnegie Hall and was her first major success. After Schnittke's both wild and contemplative string trio, and Mozart's lively Duo, "Finally Monday" concludes with the rarely performed ecstatically charged piano quartet by Finnish composer Helvi Leiviskä in a late romantic style.
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The music
Approximate times -
Rebecca Clarke Morpheus for viola and piano5 min
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Gareth Lubbe Miniatures for overtone singer and viola11 min
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Alfred Schnittke String Trio25 min
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Intermission25 min
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Wolfgang Amadeus Mozart Duo in G major for violin and viola15 min
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Helvi Leiviskä Piano Quartet25 min
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Participants
- Cecilia Zilliacus violin
- Gareth Lubbe viola/throat song
- Kati Raitinen cello
- Peter Friis Johansson piano