Composer Festival – The Heaven

The second concert in the Composer Festival dedicated to Klas Torstensson features two works from the trilogy A Cycle of the North, which consists of the orchestral pieces The Mainland, The Polar Sea, and The Heaven. “A child’s feet on a sun-warmed path; a solitary man (perhaps the polar explorer, engineer Andrée from my opera The Expedition?) on an endless frozen sea; a steep road upward – perhaps to the sky.”

It was between 2007 and 2012 that he composed the trilogy A cycle of the North. The first work, Fastlandet – The Mainland, premiered at the Concertgebouw in Amsterdam, was a commission related to a Sibelius theme. In The Mainland, the cor anglais quotes a few notes from The Swan of Tuonela by Sibelius. Like Sibelius, Torstensson had witnessed the beautiful sight of swans in flight, near his cottage in Småland. In addition to the swan motif, we also hear the sound of thin birch twigs snapping.

Himmelen – The Heaven – was co-commissioned by the Royal Stockholm Philharmonic Orchestra and premiered at Konserthuset in 2015, conducted by Sakari Oramo. The work is inspired by three visual artworks from different eras: Anselm Kiefer’s monumental Am Anfang, Gustave Doré’s Jacob’s Ladder – illustrating the dream of Jacob from Genesis 28 – and William Blake’s Jacob’s Ladder. Could the final music box-like passage suggest a glimpse of heavenly peace?

Between The Mainland and The Heaven, we hear the festival’s earliest work, also rich with references to nature. und eine Springflut... (“and a spring tide…”) from 1974 was composed by a 23-year-old Torstensson. The title comes from the text of Arnold Schoenberg’s Pierrot lunaire: “And a spring tide flooded the quiet horizon…” There are passages in the music, Torstensson says, that overflow with notes – like a spring tide.

The Norrköping Symphony Orchestra appears as guest under the baton of Fredrik Burstedt. The concert opens with Charles Ives’s evocative The Unanswered Question – a piece that fascinated the young Klas Torstensson.

Volcanic forces, but also the most tender and heartbreakingly emotional music – Klas Torstensson moves between extremes. Born in Sweden but long based in the Netherlands, he is a composer with significant international reach. This year’s Composer Festival focuses primarily on his work from the past two decades, but also includes music from the early 1970s, making the festival a wide-ranging retrospective.