Genre: Chamber music

Concert with two orchestra academies

A meeting between the RSPO Orchestra Academy and the NOSPR Academy from Poland.

Since 2016, the Royal Stockholm Philharmonic Orchestra has hosted an ”Orchestra Academy”. The international RSPO Orchestra Academy is a one-year, advanced academic programme for young musicians. Under the guidance of the section leaders from the Royal Stockholm Philharmonic Orchestra and the Piteå School of Music, the musicians receive intensive training individually, in chamber music, and orchestral playing.

The academy also presents itself through a series of public chamber music concerts, such as this one featuring this year’s academy students. On this occasion, we  experience yet another collaboration between the orchestra academies of the Royal Philharmonic Orchestra and the National Polish Radio Symphony Orchestra in Katowice.

The concert begins with an originally orchestrated work by the British-American composer Anna Clyne, which also includes recorded sounds from a music box that her father gave to her mother when he was courting her, as well as ambient sounds from her childhood in the coastal town of Brighton.

"It is five instruments conversing with each other," is how Carl Nielsen described his often-performed and much-loved Wind Quintet. He also noted that it cannot "be played without a deep feeling for nature." The piece is filled with surprising effects, but also pastoral and idyllic elements.

After the interval, the programme continues with music by two of Poland's foremost 20th-century composers. In Witold Lutosławski’s relatively early piece, Little Suite from 1950, the inspiration from folk music is clearly audible. Like Lutosławski, Grażyna Bacewicz found ways to maintain artistic integrity within the controlling communist climate of the mid-20th century. Her Concerto for String Orchestra from 1948 has become one of her most performed and beloved works, admired by, among others, her colleague Lutosławski.

***

The partnership between Konserthuset Stockholm and the Polish Radio Symphony Orchestra in Katowice is taking place in 2024-2025, under the project name Institutions of the Future 2024-2025. This project is supported by the Polish Ministry of Culture under their Inspiring Culture initiative.

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A meeting between the RSPO Orchestra Academy and the NOSPR Academy from Poland.

Saturday 23 November 2024 15.00

Ends approximately 16.40

Since 2016, the Royal Stockholm Philharmonic Orchestra has hosted an ”Orchestra Academy”. The international RSPO Orchestra Academy is a one-year, advanced academic programme for young musicians. Under the guidance of the section leaders from the Royal Stockholm Philharmonic Orchestra and the Piteå School of Music, the musicians receive intensive training individually, in chamber music, and orchestral playing.

The academy also presents itself through a series of public chamber music concerts, such as this one featuring this year’s academy students. On this occasion, we  experience yet another collaboration between the orchestra academies of the Royal Philharmonic Orchestra and the National Polish Radio Symphony Orchestra in Katowice.

The concert begins with an originally orchestrated work by the British-American composer Anna Clyne, which also includes recorded sounds from a music box that her father gave to her mother when he was courting her, as well as ambient sounds from her childhood in the coastal town of Brighton.

"It is five instruments conversing with each other," is how Carl Nielsen described his often-performed and much-loved Wind Quintet. He also noted that it cannot "be played without a deep feeling for nature." The piece is filled with surprising effects, but also pastoral and idyllic elements.

After the interval, the programme continues with music by two of Poland's foremost 20th-century composers. In Witold Lutosławski’s relatively early piece, Little Suite from 1950, the inspiration from folk music is clearly audible. Like Lutosławski, Grażyna Bacewicz found ways to maintain artistic integrity within the controlling communist climate of the mid-20th century. Her Concerto for String Orchestra from 1948 has become one of her most performed and beloved works, admired by, among others, her colleague Lutosławski.

***

The partnership between Konserthuset Stockholm and the Polish Radio Symphony Orchestra in Katowice is taking place in 2024-2025, under the project name Institutions of the Future 2024-2025. This project is supported by the Polish Ministry of Culture under their Inspiring Culture initiative.

NOSPR_Logo_1.png

07_znak_uproszczony_mono_biale_tlo_RGB.png

07-STOCKHOLM-city_one_swe-Converted.jpg

  • The music

    Approximate times
  • Anna Clyne 1987 for bass flute, bass clarinet, violin, cello and tape
    8 min
  • Carl Nielsen Wind Quintet
    24 min
  • Intermission
    25 min
  • Folke Rabe Basta for trombone solo
    2 min
  • Witold Lutoslawski Little Suite
    10 min
  • Grazyna Bacewicz Concerto for string orchestra
    15 min
  • Participants

  • Vincent Kozlovsky conductor
  • Malgorzata Bobinska flute
  • Emilia Reske flute/bass flute
  • Malgorzata Cieszko oboe
  • Clara May Teahan oboe
  • Maksymilian Blaszczynski clarinet
  • Astrid le Clercq clarinet/bass clarinet
  • Sabina Aran bassoon
  • Martyna Zukowska bassoon
  • Ingrid Aukner french horn
  • Mateusz Zimnik trumpet
  • Michal Salwa trombone
  • Cezary Lagan percussion
  • Malgorzata Bardak violin
  • Nikodem Frach violin
  • Eve Gillieron violin
  • Katarzyna Górna violin
  • Martyna Kaszkowiak violin
  • Ekin Kuzukiran violin
  • Karolina Bednarz viola
  • Roksana Krechowiecka viola
  • Mikolaj Szymanski viola
  • Aleksandra Baszak cello
  • Cecilia Hutnik cello
  • Wiktoria Zorychta cello
  • Hubert Róg double bass
  • Krzysztof Syrzisko double bass
  • Jonatan Samuelsson host

Saturday 23 November 2024 15.00

Ends approximately 16.40


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