Bergman and the music
Where does music come from?
Music was a lifelong love for Ingmar Bergman, but he considered this love to be unrequited. Still, it may not have been unhappy – music followed him throughout his life, and he followed music. In his Summer radio programme in 2004, Bergman asked, “Where does music come from? Why do people make music?” The listener response was the largest in the history of the Summer programme.
In this presentation, journalist Marie Nyreröd, a close friend of Bergman, shows clips from some of the films and discusses the music. We will then hear the same pieces performed by some of Sweden’s foremost musicians. They include Robert Schumann’s Piano Quintet in E-flat major from Fanny and Alexander; Chopin’s Prelude in A-minor from Autumn Sonata; and variation 25 from Bach’s Goldberg Variations from The Silence with Ingrid Thulin.
-
The music
Approximate times -
Frédéric Chopin Mazurka in a minor for piano op 17:44 min
-
Film Clip: Music in Darkness (1948)
-
Robert Schumann Aufschwung from Phantasiestücke for piano op 123 min
-
Film Clip: Autumn Sonata (1978)
-
Frédéric Chopin Prelude in a minor from 24 Preludes for piano3 min
-
Film Clip: The Silence (1963)
-
Johann Sebastian Bach Variation No. 25 from Goldberg Variations for keyboard6 min
-
Film Clip: Bergman and Fårö Island (2004)
-
Domenico Scarlatti Keyboard Sonata in D major K 5353 min
-
Film Clip: In the Presence of a Clown (1997)
-
Franz Schubert Andante sostenuto, second movement from Piano Sonata D 96010 min
-
Intermission25 min
-
Robert Schumann Piano Quintet in E flat major30 min
-
Participants
- Roland Pöntinen piano
- Marie Nyreröd
- Stenhammar Quartet